He did a beautiful job working on a piece to demonstrate how a painting can "sing" even in a foggy overcast day. With the STRADA easel.īrian Blood is an excellent painter as well. His brush stroke is sensitive and parsimonious and he has a great eye for wide scope scenes. When his time was up, he simply moved to the hall and continued until satisfied. He was both a vendor (designed the STRADA easel) and an excellent demonstrator. B.M.Taylor's career has been not only meteoric but he gives a bad name to "focus". Often a whiff of bohemian and inner turmoil emanates from the word "artists" even when most professional artists are just that, professional. ![]() This painter is not only very good but is a model of what one might call a career standard. I'll just mention briefly Bryan Mark Taylor. There were other demos that made an impact on me. With Ken Auster making a 50x50 painting in 45 minutes, which was certainly a bit gimmicky if you ask me but people loved it and he is a phenomenal painter anyway. ![]() Īnother embarrassment of riches followed in subsequent demos. ![]() Hint: no emails, no CD's.more artist, peer-to-peer recommendations). ![]() bootcamp! So I was pretty groggy for "How to approach a gallery": Patricia Terwilliger from Jones & Terwilliger and Elaine Adams from American Legacy in Pasadena made the case for a proper approach to galleries. The smartest thing we were doing, obviously, was going to the pub and yapping till 1 am just to have to wake up at 6 for.
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